The C700 FF is designed for a full RAW workflow, while the companion C500 Mark II has Cinema RAW Light internal recording.”. The EOS C500 Mark II supports Canon Log 2 and Canon Log 3 Gamma. DAF can survey the scene and recognizes not only whether the subject is in focus or not, but in which direction (near or far), and by how much. Ethernet connector (RJ45) (supports 1000 BASE-T), Yes. Use with the EVF-V70 when attaching to this camera. In 2016 he won the Award for Best Cinematography at the 21st Asian Television Awards. You need to pay $2,199 extra for a locking EF mount (called EF-C) from Canon. 2048 X 1080: 50.00P, YCC 4:2:0 8-bit 35 Mbps/25.00P. 8:09. The C500 Mark II is meant to bridge the gap between the C300 Mark II and the C700 series, as well as being a complementary camera to the C700 series. In other words, does the extra $5,000 for the C500 Mark II translate into real-world advantages for professionals? The EOS C500 Mark II sensor is 17×9 and is 5.9K at 5952 x 3140. The Canon C500 Mark II is obviously more expensive. The only cameras that currently sits around the same price as the EOS C500 Mark II are the almost 7 years old Sony F5 ($16,490 USD), and the RED DRAGON-X 5K S35 Sensor ($19,950 USD). If you really wanted that option you are better off with the C500 Mark II. ARRI’s Pro Camera Accessories for the C500 Mark II are compatible with the C300 Mk3… The camera is equipped with a robust built-in electronically controlled ND filter system, which supports 2/4/6 and an extended 8/10 stops, making it possible to create an image with a shallow depth of field, even in the daytime. It is interesting to see that Canon has rebooted the EOS C500. (The camera comes with the LV-M2, a slightly larger version). The Newsshooter forums have just launched. Thankfully both these cameras have changed that. It also does anamorphic internally. BNC jack 1 x 12G-SDI Out (output only, Camera Body). Testing and comparing the autofocus systems on the Sony FX9 and the Canon C500 Mark II for usability, reliability, and their limitations. Switching to a Super35 crop enables 4K capture at up to 72 fps, and if you select a Super16 crop you can capture at up to 168 fps to CFast 2.0 cards. When combined with Arri’s Rec. The Canon C500 Mk II boasts a beautiful full-frame sensor (the same as the C700) with Canon’s rock-solid Dual Pixel Auto Focus (DPAF). B4 mount lens via adapter accessory (EF or PL), Full Frame: 5952 X 3140/4096 X 2160/2048 X 1080: x1.00 3840 X2160/1920 X 1080: x1.056 Super 35MM (Crop): 4096 X 2160/2048 X 1080: x1.460 3840 X 2160/1920 X 1080: x1.534 Super 16mm (Crop): 4096 X 2160/2048 X 1080: x2.920 3840 X 2160/1920 X1080: x3.069, Yes, User changeable to EF with Cinema Mount or PL, Up to 10 stops via built in ND filter system (in extended mode), EF Mount: Via lens, wireless control or wired remote (dependent on lens used) PL Mount: Only Cine Servo lenses. It’s the camera that excites me the most for the kind of work I do. Sony dominates the world sensor market and they can comfortably make profits by selling their sensors to competitors. First introduced in the EOS C200, Cinema RAW Lite is a proprietary Canon RAW format. This website uses cookies to improve your experience. With C-Log 3 you get 14 stops (still great!). Even though the EOS C500 Mark II will still probably be met with a mixed reaction I think Canon can finally say they are back in the game. A user changeable lens mount kit that changes the mount to an EF Cinema Lock Mount. The sensor supports readout at full size, as well as Super 35mm, and Super 16mm. The EOS C500 Mark II uses an oversampling process from the 5.9K image capture to produce 4K (DCI or UHD). The C500 Mark II is definitely a cinema camera. Like the C700FF, the image is still recorded squeezed and the final de-squeeze happens in post. The EOS C500 never really took off and was not a commercial success for Canon. Matthew is available to hire as a DP in Japan or for work anywhere else in the world. The EOS C500 Mark II is arguably just as good, if not better, at least on paper. on Canon C300 Mark III vs Canon C500 Mark II: When to pick which? That’s a $600 dollar value right there. Two independent image signals can then be detected at each photosite. So overall im very excited to go from my 3xSony A7III to this beast. Both modules interface with the camera body via a three-pin Fisher connection point. We'll assume you're ok with this, but you can opt-out if you wish. I like the C500 MK II a lot, but when you go all in with the rear EVF and an extra CFast Express card, the total comes to $19,000. The extensive Pro Cine Set with BP-8 for Canon C300 Mk II from ARRI provides both lightweight, and tripod plate-based support for your Canon EOS C300 Mk II, C300, or C500 camera. EF locking (CM-V1) 2. What is dual pixel AF? This allows it to feature a 5.9K output in full frame, and crop (window) the sensor for Super 35 and Super 16 frame sizes while maintaining a high resolution. Canon’s new-ish full-frame sensor (also offered on the C700 FF) gives filmmakers a more detailed image, with an even shallower depth of field. The C500 Mark II features a Full-Frame CMOS sensor with an effective 18.69MP resolution and 15 stops of DR (claimed by Canon). A complete visual representation + video of the filmmaking process from beginning to end. By adding a V-lock or AB battery on the back of the module, this will not only allow the EOS C500 Mark II to have longer run times, but it should also help with better weight distribution if you want to shoulder mount the camera. “We are always listening to cinematographers and incorporating feedback into future products and updates to products.”. If you were a independent filmaker wanting to make films for festivals iTunes Netflix and occasional big screen as well as corporate videos and commercials which would you pick between these two ? In proportion you might be spending 50-60% over what you would be spending with the C300 Mark III. It starts off looking like previous models, but then users have the ability to customize it to suit their needs, which has never before been available in a Canon camera. At the end of the day as consumers, we really don’t have anything to complain about. The camera could also shoot 2K in 12-bit RGB 4:4:4 up to 60 fps. Can be used with the SU-15 Shoulder Support Unit to offer the operability of a shoulder mount camera with REC, zoom and iris controls, supporting the 12-pin lens connector. A lot of EOS C700 FF owners may be very upset with this release. Shoulder support with split sliding shoulder pads for added comfort and rods. What is interesting about the EOS C500 Mark II, is that the camera is now in a price category that has been rapidly dissolving. It will cost approximately $1,600 USD. The EOS C500 was announced way back in April 2012. A site for working professionals in the TV & Film industry. This set includes a CCH-4 top handle with a sliding adapter, a top plate, an MVB-1 EVF bracket, a shoulder mount baseplate with VCT-14 support, a BPA-5 Bridge Plate Adapter, and a pair of 13" lightweight, stainless steel 15mm rods. “At the higher end of the production spectrum, the lifespan of camera models is a bit longer. Phase, Gain and RGB adjustment, in tandem with Gamma selection, AWB, USER setting 01(setting range: 2000K to 15000K/ -20CC to +20CC), daylight, tungsten, settings (A/B), Area selection / area revision of two areas, (1) WPS [Wi-Fi Protected Setup] (push-button system, PIN code system) (2) Manual setup (3) Search for access points Open system, WPA-PSK, WPA2-PSK, WEP-64, WEP-128, TKIP, AES, Auto /manual, Latitude/Longitude/Elevation, Coordinated Universal Time (UTC), Daylight (5400K), Tungsten (3200K), Kelvin (2000K-15000K, 100K intervals), Set A, Set B, YES. The ProRes options and now Z Cam Raw makes life in post so much easier. In saying that, Canon has shown me that they are willing to cannibalize more expensive offerings to win back sales. The dynamic range of the C500 Mark II using the internal 10bit XF-AVC codec at UHD 25fps using Canon Log2 / C.Gamut (Color Matrix “Neutral”) shows a very strong 13.1 stops at a signal to noise ratio of 2, see figure 1 below (noise reduction “off”). The EOS C500 Mark II’s sensor is identical to that of the EOS C700 FF, except it uses new Digic DV 7 processors, instead of the Digic 5 that are found on the C700 FF. and a height of 13 inches and boasting 2.8K imagery, The Arri Alexa!!!!! When ISO speed expansion is ON: between -2 dB and 54 dB When ISO speed expansion is OFF: Any value from -2 dB to 42 dB in 0.5 dB increments can be set. Via MON.1/2, VIDEO or HDMI Terminals. Internal XF-AVC RecordingRecording to CF Express cards using the XF-AVC-codec enables capturing at 4K full frame at up to 60 fps. When you are recording in RAW to the CF Express cards you can also record proxy files to an SD card. As for this moment, the brand new C300 Mark III is not on the list. This unit adds Genlock/SYNC, REMOTE B (RS-422), Ethernet, 2x XLR terminals, a V-mount battery plate, a 12-pin lens terminal and DC OUT 24V-2A support, attaching to the camera’s extension terminal. The rectangle turns green when the subject is in focus. This balance shows itself in the all new modular design of this camera. Peaking 1, Peaking 2 (Colour, Gain, Frequency customisable), Level 1; Level 2; BothOutput via HD-SDI or HDMI. However, it remains to be seen if this holds over the entire spectrum of ISOs or if the C500 Mark II holds up better. The camera features the exact same sensor that is found in the EOS C700 FF. The EOS C500, EOS C300 Mark II, EOS C700 & EOS C700 FF were all met with mixed reactions, and all models failed to gain any real traction in the market. You can always buy cheaper batteries, but the same applies to both cameras. Sony has done the same thing, although Sony is in the prime position where they can afford to do that. CFexpress card x2 for Cinema RAW Light or XF-AVC/MXF, SD card for XF-AVC Proxy recording SD card also used for Photo Storage (1920 x 1080), CP setting transfer and firmware update, Cinema RAW Light:  5952 X 3140: 2.1Gbps: 30 Mins                                   4096 X 2160: 1 Gbps: 65 Mins                                   2048 X 1080: 250 Mbps 270 Mins XF-AVC/MXF:           4096 X 2160: 810 Mbps 80 Mins/410 Mbps 165 Mins                                   2048 X 2160: 310 Mbps 215 Mins/160 Mbps 425 Mins, 59.94Hz mode (59.94P / 59.94i / 29.97P / 23.98P) 50.00Hz mode (50.00P / 50.00i / 25.00P) 24.00 Hz mode (24.00P), 5952 X 3140: 50.00P, 2.1Gbps 10-bit/25.00P, 2.1 Gbps 12-bit 4096 X 2160: 50.00P, 1 Gbps 10-bit/25.00P, 1Gbps 12-bit 2048 X 1080: 50.00P, 250Mbps 10-bit/25.00P 250 Mbps 12-bit, 4096 X 2160/3840 X 2160: 50.00P YCC 4:2:2 10-BIT 810 Mbps/25.00P YCC 4:2:2 10-bit 410 Mbps 2048 X 1080/1920 X 1080: 50.00P YCC 4:2:2 10-BIT 310 Mbps/25.00P YCC 4:2:2 10-bit 160 Mbps All Intra Frame, 2048 X 1080: 50.00P, YCC 4:2:0 8-bit 35 Mbps/25.00P, YCC 4:2:0 8-bit 24 Mbps Long GOP, Yes, Cinema RAW Light 5952 x 3140/4096 x 2160: 1 -60 FPS/2048 x1080 (2K Crop) 1 -120FPS XF-AVC: 4096 x 2160/3840 x 2160 (810/410 Mbps) 1 – 60 FPS (Full Frame/Super 35mm Crop)                2048×1080/1920×1080 1 – 60 FPS (Full Frame/Super 35mm Crop)                                                    1 – 120 FPS (Super 16mm Crop), Approx. The data rates are manageable for both cameras, all things considering. You may be asking why didn’t Canon just go with ProRes RAW or Blackmagic RAW. We also use third-party cookies that help us analyze and understand how you use this website. Canon is also offering optional rear modules that attach on to the back of the EOS C500 Mark II. So it’s not just a $5,000 difference. Off, Low, Middle, High / Hue, Chroma, Area, Luminance. It could also do 120fps in 2K and 1080P resolutions. Both cameras have important 12G-SDI ports and the obligatory HDMI A port. Canon EOS C500 - IDIFF Salon de l'image animée - Paris 2014. On/Off selectable: center, horizontal, grid, aspect, safety zone, and rectangular marker. The LV-M1 – LCD Touch monitor from the EOS C200 will work. The Plate for C300 MKIII/ C500 MkII can be used either shoulder mounted compatible with a VCT-14 style plate such as the QRP-1 or by using the Bridge Plate Adapter BPA-5 to mount the cine-style BP-8, BP-9 or BPS-2. Fair enough. The sensor can operate in three different modes: The sensor can operate in three different modes: What is big news when it comes to the sensor and how it works is the addition of 5-axis sensor stabilization. The C300 was the first affordable digital cinema camera that could record in a broadcast quality codec. Canon states the image will be sharper with better detail and will resolve color better when shooting in 4K, UHD, 2K, and HD. Shooters who were traditionally buying cameras in this price range are now either buying sub $10K cameras, or they are renting more expensive options. It’s more than that. This website uses cookies to improve your experience while you navigate through the website. For the better, in my opinion. I am waiting for the C300 MK III to be announced. The Cinema RAW Light files are about a 1/3 to 1/5 the size of Canon’s Cinema RAW format that has to be recorded externally from the EOS C300 Mark II and EOS C700. 3:29. The C500 Mark II is definitely the more expensive all around, very generally speaking. Clients do pay extra for color grading or DI, and there are decent enough budgets for: You will be working with enough margins to recoup the additional cost in just a matter of months. Let’s take a look! These cookies do not store any personal information. This set includes a cine adapter plate, shoulder pad, two-piece BP-8 bridge plate adapter, a pair of 15mm rods, a pair of 19mm rods, top cheese plate, CCH2 carrying handle, and a 3/8"-16 accessory shoe adapter.
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